SCREENWRITER RESOURCES PROFESSIONAL
Much as professional writers often develop material with insight and guidance from a producer or development or current programming executive, emerging writers too can benefit greatly from receiving ongoing guidance from those with ample experience developing story and pushing the writer – and the writing – to its best version. Many writers find that working with a consultant, seasoned in story development, can be critical for developing their new screenplay or television pilot, and pushing the work to the next level.
SCREENWRITER RESOURCES TV
When it comes to working with industry readers, who have served as gatekeepers to reputable industry companies themselves, the below are my favorites:įAVORITE SCREENWRITING & TV WRITING CONSULTANTS Additionally, it’s important for the writer to get reads from reputable, established sources in order to try and anticipate how the material will be received in the professional space. I have always encouraged my writers to expose their work early and often, from treatment and outline to draft, in order to identify structural and story problems, better define characters, and develop the material in a thoughtful fashion. I am simply including those that either I myself or my clients have had positive experiences with. Lastly, let me just note that there is really no way to include every available resource out there.
For the rest of you who are just getting familiar with this space, you will likely find more than enough options to choose from in a number of writer-forward areas.Įither way, I hope this proves useful! After all, at the end of the day I am all about giving my screenwriters and television writers options, in order for them to have the tools they need to make smart, educated decisions when it comes to the resources they turn to and use to push their screenwriting career forward. Hopefully, you will find one or two in there that offer something new and interesting for you. To any of you who’ve been around this industry for any length of time, many of these screenwriting resources will seem (mostly) familiar. With that in mind, I wanted to share those with the rest of you, in case at any point they are needed. Books, blogs, competitions, labs, programs, fellowships, consultants, I’ve made it a point to get to know as many of them as I can, and accordingly share the information I’ve gathered with TV writing and screenwriting clients, no matter their career station, whenever such resources are needed. (OBS) began in 1988 to address the lack of black writers represented within the entertainment industry.įeatures interviews with professional screenwriters, screenwriting articles, script sales, screenplays, and script reviews.įrom the Writer’s Store (in Los Angeles), an online community for support, jobs, writer’s groups, software, you name it.įrom the creator of Final Draft, a wonderful online community for peer-to-peer script reviews and feedback, industry access and much much more.įor union writers and may also list contests for non-union writers.On any given day of client meetings I will find myself rattling off my favorite resources when it comes to any and all things screenwriting. The Organization of Black Screenwriters, Inc. The only labor union that represents freelance writers in all genres, formats, and media. Information on recent script sales and resources.Ĭontains job postings for media positions, freelance writing, editors, and reporters.Ī very complete directory of all screenplay competitions. Your daily Internet screenwriting news resource for screenplay, pitch, treatment, and book deals in the film industry. Provides information for people interested in freelance writing, screenwriting, playwriting, writing novels, nonfiction, comic book writing, greeting cards, poetry, songwriting, etc.
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